This is part of our composer series on Ryan Francis. In this post, Ryan discusses his new piano etudes, featured in Metropolis Ensemble’s upcoming concert
Digital Sustain. Since Frédéric Chopin, the genre of piano etudes transformed from their intention as studies towards improving one’s pianism to unfettered exemplars of imagination and virtuosity that pushed piano technique to the limits. In the last century, Conlon Nancarrow removed the performer from the form, composing the first pre-electronic pieces for player piano that are physically impossible for any human to perform. Ryan has used the current version of piano player rolls – MIDI maps – to expand human piano technique in his etudes.
Music credits: Frédéric Chopin, Etude #1 in C, Op. 10, Maurizio Pollini piano; Deutsche Grammophon: B000001G5H. Ryan Francis, “Digitial Sustain” for Piano, (MIDI rendering). Conlon Nancarrow’s Etude No. 1; player piano. Ryan Francis, “Harlequin” for Piano, (MIDI rendering). Special thanks to Ania Dabrowski.